The Perversity of Poetry

The Perversity of PoetryExplains why poetry gave way to the realist novel as the dominant literary form in nineteenth century England. Once the dominant literary form, poetry was gradually eclipsed by the realist novel; indeed, by 1940 W. H. Auden was able to note, "Poetry makes nothing happen." In The Perversity of Poetry, Dino Franco Felluga explores the cultural background of poetry's marginalization by examining nineteenth century reactions to Romantic poetry and

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